Fringe
Season Five
Episode Four
'The Bullet
That Saved The World' - 7.5
That is a nice ass. |
The
indicator for a good thrill ride is how you feel once it's over: if you are
tingly in the extremities or full on shaking it was pretty damn fun, but if
there is no leftover feelings then it was average or less. 'The Bullet That
Saved the World' is the former, and has another definitely positive indicator;
the death of a major character.
Ok, perhaps
Etta Bishop is not the most important person there, and she is certainly not
the one that I would say we were most attached to, but the very fact that she is
the main characters’ respective child or
grandchild would often be enough to ensure her survival. Not so in the final season of this
crazy masterpiece, which sees Etta die the heroic death she deserved.
Before we
get into the fantastic climax I should mention the best part of the first
thirty minutes: the numerous references to past fringe cases. So far this
season we've been engrossed in a story that had little to do with what we'd
seen in the first four years, but when Walter opened his secret cold storage in
which he'd planted the many specimens he'd collected over the years, it was
like a Fringe fanboy's wet dream.
Olivia
looked up at the worms that pulled themselves out of refugee's stomachs in
'Snakehead', Etta unknowingly fiddled with the ambering device invented in
'6B', Walter marvelled over the porcupine man from (I assume) last season's
'Nothing As It Seems' and best of all, the face-growing poison from 'Ability'
is used to give our heroes the upper hand in the assault on the subway. These
allusions to a largely ignored past are what we've been waiting for over the
last three episodes, so it was almost relieving to know they hadn't simply been
forgotten. Luckily the group manages to throw the loyalists off the scent of
the lab by re-ambering it, meaning that we get to explore the
room-of-references more in the coming weeks - unless Peter and Olivia go off
the deep end following their daughter's death.
Broyles appeared again
tonight, and had a
terrific meeting with our heroes, with Olivia giving him a legitimately warming
greeting. For the character I was surprised, as Olivia rarely looks happy to
see anyone ever, but she had tears in her eyes as she embraced her former boss.
Too bad she was about to lose her daughter in all of about five minutes...
A character
doomed to die is often remembered solely on how epically that came to pass, and
for Etta I was pretty fifty-fifty. I was enthralled and tense as it was
happening, but afterwards I have little to say that's either positive or
negative. It wasn't particularly memorable since it was just a point-and-shoot,
leave-me-to-die sort of event, and in the end the emotion that could have been
explored was squandered as the bereaved trio is forced to make a run for it
after the dying girl activates a bomb.
What was
better than her actual death was the scene immediately before it, which tied in
wonderfully with what we'd seen over the episode. In the first scene, Peter had
been caught buying a replacement chain for Etta's necklace, and the Observer
present had managed to retrieve thoughts of the girl from his mind. Ever after
he'd been inquiring about the purpose of the necklace, only realising once he'd
grabbed her and thrown her against a wall that it for 'love'. Awwww, shucks.
The wonderfully edited sequence in which the generally unreadable Etta was mind
raped was beautiful, as it cut together her adult self being assaulted by the
Observer with her younger self in the happy, pre-invasion days with her father.
What's even better was the failed attempt to stab her attacker, as it was
possibly the most tragic and heart wrenching part of the whole scene, mostly
because of how desperate it ended up looking.
Her death is
not in vain, luckily, as they had managed to attain some more plans (even if
Walter doesn't understand them) as well as confirmed Broyles' involvement in
the resistance and taken out a whole
mess of Observers with an anti-matter bomb.
Surely the
next episode will be mostly devoted to exploring how the trio will deal with
the loss of Etta, and I sincerely hope that the 'Oh god, she's dead!' moment
goes to Astrid, who isn't aware that the girl has been killed. I couldn't even
tell at which point Etta actually died, as it held focus on the as-normal stoic
Olivia, who clutched the eponymous bullet while looking conflicted. She was actually the one of the three who ended up ditching the post-loss pity
party, walking away so she can sulk in typical solitude. It's all very
characteristic for her, so I'm not complaining, I just don't think she's going
to win any points with the viewers.
They had a
few minutes at the end there that they could have explored the impact of the
baby Bishop's demise, but for the most part 'The Bullet That Saved the World'
is a terrific ride that quickly reaches season highs then plunges to distressing
- but still awesome - lows. I adore the inclusion of past Fringe cases to aid
our heroes, and I implore the writers to have that be the deciding factor in
the coming battle. I mean, they did save
the world a whole bunch of times, they have to find something they can beat the
observers with. What about that poison that could be made to kill only people
with a specific genetic trait, as seen in 'The Bishop Revival'? Of course that would require a
fully functioning lab rather than a half-ambered one, but it would be worth it,
right?
Anyway,
goodbye to young, short-lived Etta and to her Australian portrayer Georgina
Haig, who ably gave the role a sense of knowledge and experience while also
tinging it with sadness and youth. Still, she did have a role that seemed to
require death, as she not only gave the show an imbalance (Olivia and Peter
went from new lovers to having an adult daughter in all of about five episodes)
but she will also force the characters to leave their largely safe and cautious
existence and properly move to the offensive against the all-powerful
enemy.
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