Fringe
Season Five
Episode
Three
'The
Recordist' - 2.5
Pointless facial disfigurements should always be scorned. Peter clearly gets it. |
Can anyone say 'snore'? God that episode was like nothing. I feel like we learnt nothing, established nothing, advanced nothing. Why couldn't we have just found the mineral and gotten that over and done with? Did we have to have that stupid moral tale of a father wanting to prove himself to his son? God, this show is pretty much about that with Walter and Peter and all. Hell, now ever Olivia is trying to make herself more of a worthy role model for her daughter, did we need this fucking side plot?
Also, was
there anything at all relevant or interesting about the fact that some guy
recorded history? Did that signify or change ANYTHING?
'The
Recordist', if you can't already tell, was awful. Perhaps it just hit me with
the fact that it was nothing more than filler, since in a thirteen episode
season I hadn't actually expected any. Other than give the team a dose of some
mineral at the bottom of a mine shaft, we didn't get anything. Nothing. Nada.
Zilcho. Fuck.
Fringe is an
amazing show, and it was always happy to change things up a little and do it
all just a bit differently, yet tonight the episode was so typical
that I could have been watching Revolution or something. What turned out to be
Walter's third tape took them all to a strange compound in the middle of
nowhere which just happened to be run by a group of people covered in gross-looking
growths. These had been caused by some sort of emanating something-or-other
that came from the very mine in which the rocks our team had arrived for lay.
Great for them.
There's a
father and son, the latter of which has a very unhealthy fixation on the Fringe
team and their heroics. In a brilliantly original plot line the son's desire to
have a similar hero as a father leads his daddy to going into the fatal mine
himself, dying but still being able to retrieve the rocks.
Whatever.
The biggest
issue for me was that this season had this strong sense of impending doom and
just the right amount of action, but 'The Recordist' totally stopped the
momentum and suspense. A bit of calm reflection is OK with me, but at least
make it worth something more than Olivia coming to a few realisations about how
sucky she is as a parent.
Well, she
isn't that sucky, but she should be. Olivia Dunham really doesn't seem like
much of a family woman, even though she did fairly well with her young niece
when she was around - What happened to Ella anyway? We've seen a future version
of her character in ‘Back to Where You’ve Never Been’, so obviously something
horrible has happened to her or we would've mentioned her. Or maybe I'm just
pessimistic. Back to the point, Olivia was the fun aunt for young Ella, so
surely that doesn't transpose that well to actually caring for her own offspring?
She didn't have to be there through Ella's worst times. Why do main characters
in network drama have to be good parents?
Although, I
did like the moments where Peter and Olivia discussed their search for Etta so
many years prior, as she reveals that she had already concluded that their
daughter was dead, and that she didn't want to definitively discover that. It
makes a lot of sense, and Jackson and Torv performed a relatively complex scene
very ably, as normal.
I also
enjoyed the few scenes spent fussing about the approaching loyalists, who had
found signs of their van driving in the general direction, and managed to track
them down to the area. Once Etta discovers this from her colleagues in the
resistance, she warns everyone and sets off a few tentative interchanges and
general worry that only amounts to getting our protagonists out of the dead
zone and back on the road.
Once again,
whatever.
To be
conclusive, baring a few interesting moments of capable acting or temporary
suspense, there was little to lift 'the Recordist' above horribly boring
levels. Without a doubt, this was one of the worse episodes we've seen from
this generally stellar series in its five glorious years.
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