Sunday, 28 October 2012

'Soul Train' - Revolution, Season One

Revolution
Season One
Episode Five
'Soul Train' - 5.5

This isn't an exact screenshot from the show, but it was by far the most interesting part.

What interests me most about Revolution tonight was the map we see Monroe strategising over in a very brief scene. This is probably because when you watch a show called 'Revolution' you kind of expect to see references to government and power and all that stuff, instead of getting some bullshit about saving an annoying brat. No, I don't care about Danny or his sister, I don't care about Miles and I felt nothing when Nora was stabbed. I don't care for any of these characters because they are so poorly written that I think those that do care don't know any real people. 

It's almost disturbing how easy it is to watch a likeable enough character get stabbed in this show. Nora doesn't die or anything, but she's so boring that I really couldn't care less if she did. This is a show about a dystopia, it is ripe for a character drama and yet the writers have pretty much shat out some stock garbage and tacked it onto their epic story, that so far has had so little to do with revolutions it isn't funny. There were points in this episode that I was eager to see what would happen next, but it was never because I wanted to know what would befall our heroes, rather I wanted to see something worthwhile. A violent death, a unique effect, something that distinguishes this seriously awful offering. And that refers to the entire series, not just this episode, which was honestly not that bad. 

The only intriguing character would be Neville, who I was disturbed to realise was the focus of tonight's episode. I was highly against this manoeuvre, largely because I worried they would humanise a fantastic villain and turn their last respectable creation into another television trope that has been done a million times. While I don't think what they did was particularly original, I was pleasantly surprised at how much I didn't hate his former life. Of course he used to be weak, that was a give in for a show as unimaginative as this, but he also has a wife and son who depend on him. Once again, the shock twist here is that Nate, that annoying stud following Charlie around, is in fact Jason, Neville's son. We don't get this stated until the very end, but I'm not gonna beat around the bush; I think you may be clinically retarded if you didn't already guess it. Seriously. 

Anyway, when the blackout occurs, Neville was a quiet, beaten down family man, but when his loud neighbour breaks into his home one night, our antagonist is forced to punch the guy so hard he dies to death, right in front of Jason and his wife, Julia. That's all we get of his transformation, other than the establishing scenes which depicted him as the push-over he once was, but I hope we get to see him gradually get used to his cold yet passionate stance with violence and control. Giancarlo Esposito is really very good in the role, managing to no longer feel conflicted or remorseful for any of his actions, and hopefully the writers are able to maintain that sense of amorality, without turning him into a 'likeable' villain by giving him human feelings. 

As the title suggests, there is actually a train, which would be a terrific location for some fantastic action but no, they spend all of about five minutes there before cutting to the very end of the journey. There's some scuffles and Charlie finally sees her brother again, but nothing much really mattered. 

Before they get to the actual journey they meet a new rebel, Hutch, who is played by Lost's Jeff Fahey, and he and Nora devise a plan to blow up the said train, despite it being used to transport Danny to Philadelphia. This is done without consulting with Charlie or Miles of course, as the two of them are out being stupid and getting into fights with Neville himself. Charlie even reveals herself to the captain, albeit unintentionally, when she decides to tail him only to get caught. Luckily her uncle gets her out of the situation.

Nora does eventually realise that Danny is on the train, but before she can rush off and remove the bomb - which is inside a log on the steam train, for your information, which means the soldiers will essentially blow themselves up when they put it in the engine - a desperate Hutch stabs her. It's not that serious a stab wound though, as she's able to warn Charlie and Miles about Danny, and the two of them rush off on some horses to board the train.

Hooray, action sequences! Charlie tracks down her brother in one of the carriages, and he jumps Captain Neville when he sees her. Unfortunately, the door isn't opening for her so she can't get in and help Danny. Meanwhile Miles goes to remove the bomb, having to knock out the guy in the front carriage to do it. Isn't that the slightest bit counter-intuitive? Now someone else is going to have to take over or the train will just stop. Anyway, the log had been put in the engine, so he ends up having to reach in and fish it out, throwing it to the side of the tracks just as it explodes. I swear that the inside of a steam engine is like five hundred degrees, which is the kind of heat that will often turn your hand to ashes in all of about five seconds, but whatever. You do that Miles. 

Back in Danny's carriage, Neville gains the upper hand and is able to pin Charlie to the wall, holding a knife to her throat (do it Neville!), only to have Danny knock him out with a bang to the back of the head. It's not over yet though, as back-up comes in and is able to nab them both just as Neville wakes up and seizes Danny. Charlie is being held by none other than Nate, who escaped from the rebels earlier this episode, but when Neville demands she be brought to him, Nate refuses and instead throws her from the moving train. Miles sees his young niece rolling down the hill from the engine, so he strangely decides to jump off the train as well. You're supposed to be like a cunning strategist, Miles. What the fuck was that?

And that was pretty much it. There were desperate glances down the train tracks as it chugged away, as well as the revelation that Nate is really Neville's son Jason once they arrive at Philly, but that was it for the two main groups. Up in her cell, Rachel - possibly my other favourite, if only because it is Elizabeth Mitchell and she hasn't done anything awful yet - sees Danny being dragged away and pretty much instantly gives Monroe the information he desires; a diagram of the special pendant device and the knowledge that turning the power on starts with the twelve of them, meaning that instead of a revolution we are probably about to see a scavenger hunt for ugly necklaces. Greeeeeat.

On the topic of revolution, I was intrigued by the map of the United States, not only because somehow in all this anarchy they kept the American land borders intact. Seems that the US is now divided into six areas; the Monroe Republic, which encompasses the North-Eastern states; the Georgia Federation, which would probably contain Georgia, but is simply south of  Monroe; the Plains Nation is to the west. It is noted that these two nations have allied against Monroe, but the character is so clearly the antagonist that he is unphased and remarks that he'll gut them all. Cheery. Anyway, the other known areas include the California Commonwealth, which is the western coast of the country; Texas, which is slightly bigger than it was before the blackout and finally Wasteland, the most evocatively named of the six kingdoms of the United States. It sounds Game of Thrones-esque, and yet they give it the most passing mention. Ug, please just give me politics. Please. 

I'm getting weary of this show and its awful characters, its meandering plot and its failure to lift itself out of the sci-fi-for-idiots basket. I think it's trying so hard to maintain a the easy-going feel that it's lost any sense of what makes a revolution fun; it isn't easy, it's hard going, it's tough and violent. You are overthrowing a government, you thought it would be simple? God, grow the fuck up show, because in reality all your main cast should be dead, in fact I want them dead. Have Monroe follow his word and gut the assholes, do it in the town square in Philadelphia for everyone to see. That would please me. Show the viewers why it is that there will be a revolution and give us someone to lead it - and not Charlie. Just, just, no. 

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