The
Walking Dead
Season One
Episode Five
'Wildfire' - 9.5
The
Walking Dead doesn't have main plots or subplots, instead it really is just
documentary-like A-B storytelling. That is reductive, of course, because it is a
complex show underneath, with some of the best characters on screen at the
moment. What I find is best about them is that they aren't just likable or not,
they have personalities with negative and positive attributes. Rick has
detractors, and Daryl has benefits, for example.
After the
horrors that drew 'Vatos' to a thrilling and distressing end, 'Wildfire' opens with
a slow, reflective tone as the survivors deal with the zombie attack on the
camp. Of course the most poignant of the characters right now is Andrea, who is
mourning the death of Amy, who died of her bites in her sister's arms. As the
episode begins, morning has broken on the camp and Andrea has knelt over the
corpse for the entire night, without doing anything to prevent her from rising
again. Lori, Rick and Dale all attempt to comfort the grieving woman, but the
former two don't get any edgeways. Lori is entirely ignored as she tries to
convince her to let Amy be disabled, while Rick gets a gun pointed at him
before he could finish a sentence. Dale has more luck, relaying the sad tale of
his wife's gradual passing to cancer, and he and Andrea have a sweetly written
and very true - if a little trite - conversation about whether either is to
blame for their respective loved one's deaths.
Something
we learnt in the second episode 'Guts' was that Amy's birthday was coming up,
and if you can remember Andrea took a small mermaid necklace as a present. Well
of course, this very day is the poor girl's birthday, and Andrea chooses to be
uber depressing by solemnly draping the pretty thing over her sister's
blood-stained neck. It is touching, but I'm a bit tired of shows making sad
events more tragic and cruel by ruining happy days.
Other
characters get a little screen time to deal with the previous night's disaster
as well. Carol says goodbye to her abusive husband the nicest way she can; by
desecrating his remains repeatedly with a pickaxe. The onscreen destruction of
the man's skull - a man we kind of met, no less - was incredibly gross, and
even I have my limits. Sure, we aren't supposed to like this guy, but it is
just plain disrespectful to anyone to show their brains exploding again and
again all over the camera. DEAR GOD NOW IT WON'T GO OUT OF MY HEAD.
Things
don't look good for our deranged psychic Jim either, who is discovered to have
been bitten by some zombie in the attack. He seems OK at first, but it doesn't
take him long to deteriorate, the effects of which are shown through sweat, retching
and frightening Exorcist-like flashes of disturbing images. I don't know why
this is, but flashes make scary scenes infinitely more frightening; i.e. the
slow exploration of the abandoned space ship in the sci-fi Sunshine. And they
were just flashes of pictures featuring the ship's original crew! Anyway, Jim's
condition is a catalyst for Rick's idea to take the camp and go to the CDC,
which is apparently near Atlanta. This sparks a debate amongst the entire
group, with Shane and Rick both wanting to go completely separate ways from one
another, but it is poor Lori who winds up in the middle of the alpha-dog
humping match. Of course she ends up siding with her husband, but
that isn't without a good talking-to for Rick. To be honest I don't really like
Lori much, she seems a bit moralistic and pushy.
Rick and
Shane's disagreement comes to a subtle head as they go to scour the woods for
any lost zombies. With Rick up ahead, Shane spends a brief moment with his
sights set literally on his former friend and colleague, and it is kind of
tense for a second. While I never expected Rick to end up dead at this point, I
wasn't sure if Shane would try or not, and it was pretty touch and go for
second there. In the end Shane does come to his senses and lower the gun, but
not before being spied by a very confused and concerned Dale, who doesn't
really make a big deal or anything, but it does hint towards problems for Shane
down the line. This short lapse of judgment is the first clear and explicit
depiction of his growing anger towards Rick, and it looks like this is only
going to get worse as things go on.
In my
favourite scene of the show so far, Amy does finally rise from death. It is quiet, without music and
scored only by the soft sounds of her body reanimating. I was infinitely
impressed by the show's ability to turn such an iconic zombie-film trope into a
scene of true cinematic beauty, and the shot of Amy's eyes slowly opening to
reveal the pale, dead stare of a walker is absolutely stunning. This single event is
what the episode had led up to, with most of the sequences involving Andrea
keeping her dead sister just in frame, if only to make us tense while we wait
for her to leap up and eat somebody, but her real rise from the dead is so
anticlimactic, it's almost sweet. Laurie Holden is perfect, like really
perfect, as she says goodbye to what her sister has become, before putting the
gun to the side of Amy's head and pulling the trigger. I wish the zombie-genre
did more amazing scenes like these, because it is a disturbing but oddly
heartwarming depiction of human emotion
and love.
As the
group finally agrees to head to the CDC (well, most do), we flash to the very
place in question, where scientist Dr. Jenner gives a video diary about the
spread and status of the disease. I don't know if he actually named it
'Wildfire', but 'Wildfire' was declared 194 days prior, but that would be like
saying 'Cholera was just declared'. Do they say that? Anyway, what really
interested me was that whatever-it's-called went global sixty-three days ago,
which means it was contained for what, 131 days? You couldn't kill all the
zombies in like four months? Seriously?
Jenner is
a clearly disheartened individual, obviously stumped by the disease and unable
to find a cure, or a reason to keep searching. His last specimens are
destroyed when the lab goes into 'full contamination' and he is
also left without a way of researching it further, and in presumably his last
webcast he describes his desire to end his own life, maybe.
Meanwhile,
Jim finds himself unable to take the voyage, and asks to be left on the side of
the road to die. If there is one thing to love about this show, it's its
characters. We only really met Jim last episode, but in just this one scene he
makes his farewell from the group a memorable one, if not for shocks or twists,
but for the emotion of it all. Most members of the group say a final, heartfelt
goodbye to their friend and leave him under the shade of a tree as they drive
into the distance. I did remember for a second that Jim was psychic last episode? Maybe he knows what's waiting for them at the CDC?
I don't know.
Something
that seems to prevail this episode is guilt. Rick is clearly guilty over his
late arrival to the camp the night before, and he asks many other characters
whether he did the right thing or not, and you could argue that guilt is
fueling his need to try and save Jim. Jim himself notices Rick's tendency to
blame himself for everything that goes wrong, and in a sweet piece of dialogue
attempts to absolve him, explaining that he is being left behind according to his own wishes. Andrea is also
incredibly guilty, describing to Dale how she had never been there when her
sister needed her, and as Amy rises again all she says 'I'm here now'
repeatedly before putting her down. Even Jenner seems a bit of a slave to
guilt, and there are implications - not that he caused the disease, mind you -
but that he at least feels like he could have done more to slow the spread of
the pandemic. I don't normally like themes, unless they are as seamlessly
integrated as they are in 'Wildfire'. Buffy the Vampire Slayer was always good
at burying its themes and messages deep enough so that you could ignore them if
you wish, and 'Wildfire' manages that type of thematic content immaculately,
and it ends up adding to the story rather than detracting from it.
In the
final scene Rick and the survivors arrive at the CDC, which is pretty dead.
There is a brilliant performance from Andrew Lincoln, as Rick bangs on the
doors of the building as a horde of walkers begins to move in while darkness
begins to fall. Jenner watches from his security cameras, but for whatever
reason is reluctant to allow them in. It is very tense, and for a while it
begins to look like there might be another massacre on the cards, but we
wouldn't have met Jenner unless he was going to be a little important. In the
end he opens the doors for the screaming Rick and the crew, bathing them in a
brilliant and poetic white light as the episode draws to a close.
I think a
two and a half page review indicates my feelings towards this fantastic,
touching episode that manages to mix action, emotion, a great script and some
perfect performances effortlessly and subtlety. My only concern is small, in that I found the
pick-axe brain fuck of Ed by his wife very cathartic, but also entirely too
long and disgusting. It was important for Carol, but the extent of the violence
was too much, and rids 'Wildfire' of the perfect ten the episode should
deserve.
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